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During my last visit to Malaysia in February, I met the famed film director Chiu Keng Guan to discuss his fourth and latest movie, “Ola Bola.” It had just come out in local cinemas and was already proving to be such a sensation that one newspaper asked if there was an “Ola Bola overload.” A little misty-eyed perhaps, the film is a fictionalized account of the Malaysian national football team’s qualification for the 1980 Olympic Games, arguably one of the country’s finest sporting milestones, made all the more memorable by the fact that it was achieved by a multiracial, multireligious […]